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What Girls Are Made Of
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What Girls Are Made Of
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A 2017 National Book Award for Young People's Literature Finalist When Nina Faye was fourteen, her mother told her there was no such thing as unconditional love. Nina believed her. Now she'll do...
A 2017 National Book Award for Young People's Literature Finalist When Nina Faye was fourteen, her mother told her there was no such thing as unconditional love. Nina believed her. Now she'll do...
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  • A 2017 National Book Award for Young People's Literature Finalist

    When Nina Faye was fourteen, her mother told her there was no such thing as unconditional love. Nina believed her. Now she'll do anything for the boy she loves, to prove she's worthy of him. But when he breaks up with her, Nina is lost. What is she if not a girlfriend? What is she made of? Broken-hearted, Nina tries to figure out what the conditions of love are.

    "Finally, finally, a book that is fully girl, with all of the gore and grace of growing up female exposed." —Carrie Mesrobian, author of the William C. Morris finalist, Sex & Violence

 

Awards-

About the Author-

  • Elana K. Arnold is the author of several books for young readers. She lives in Huntington Beach, California, with her husband, two children, and a menagerie of animals.

Reviews-

  • Publisher's Weekly

    March 13, 2017
    According to nursery rhymes, girls are supposed to be made of sugar, spice, and everything nice, but Arnold (Infandous) knows that reality isn’t so pretty or simplistic. Her heroine, 16-year-old Nina, is made of body insecurities, few close friends, a willingness to do whatever it takes to keep her boyfriend, and an unsatisfying sex life in which birth control is her left for her to worry about. It’s not that this depiction rings false (would that it did) but that Arnold lays it out so baldly, and at times so oddly. Obsessed with female saints and their violated bodies, Nina writes short stories, interspersed throughout, that are a kind of Catholic magical realism—a saint is martyred for refusing to marry her father, a girl grows vaginas all over her body. Nina also stews over her mother’s claim that no love is unconditional, letting it drive her actions. In the end, Nina takes responsibility for herself, even things she’s not proud of, but while there’s much that’s laudable in Arnold’s novel, particularly her visceral portrait of girls as bodily creatures, too often the messaging feels forced. Ages 13–up. Agent: Rubin Pfeffer, Rubin Pfeffer Content.

  • School Library Journal

    January 1, 2017

    Gr 10 Up-Nina has had a crush on Seth since fifth grade, but it wasn't until the summer after her 16th birthday that he finally acknowledged her feelings for him. Now, Nina will do whatever is necessary to maintain his affection. She is fully aware that all love comes with conditions; her mother, in particular, has made that very clear. But as the only child of dysfunctional parents, Nina craves the attention that Seth offers. Thoughts of him occupy her every waking hour, so when she unwittingly fails his unexpected test of her loyalty, she finds herself alone and adrift, especially after she makes a startling realization. When even her best friend fails to support her, Nina looks for help and solace in unlikely places, including at a dog shelter. In an afterword, Arnold explains that this story is the result of her anger at and complicity in the rules that society applies to girls. Her overarching theme is the fallacy of believing in unconditional love. The author presents a hopeful conclusion as Nina learns that self-love and fulfillment can be found through helping others. VERDICT Because of its complex symbolism and graphic imagery, this well-written novel is best suited to mature YA readers.-Cary Frostick, formerly at Mary Riley Styles Public Library, Falls Church, VA

    Copyright 2017 School Library Journal, LLC Used with permission.

  • Kirkus

    Starred review from February 1, 2017
    Pulling back the curtain on the wizard of social expectations, Arnold (Infandous, 2015, etc.) explores the real, knotted, messy, thriving heartbeat of young womanhood. When Nina Faye's mother tells her that there is no such thing as unconditional love, that even a mother's love for a daughter could end at any time, Nina believes her--after all, she has already seen many conditions of love at play: beauty, money, aloofness, sex. Two years later, the white, now-16-year-old not only confirms that these and more are unspoken stipulations of her relationship with her boyfriend, Seth (also white), but also finds they are part of the very fabric of cisgender girlhood that suddenly threatens to smother her. Nina's embroiling first-person prose alternating with what are revealed to be her own short stories lifts and examines the veils that encapsulate all the "shoulds" and "supposed tos" of teenage girlhood to expose bodily function, desire, casual cruelty, sex and masturbation, miscarriage and abortion, and, eventually, self-care. Arnold interweaves myriad landscapes, from the parched affluence of California neighborhoods to the ordered sadness of a high-kill animal shelter where Nina volunteers, from the sculpted terrain of Rome's brutalized virgin martyrs to the imperfect physicality of Nina's own body, into a narrative wholeness that is greater than its parts. Unflinchingly candid, unapologetically girl, and devastatingly vital. (author's note) (Fiction. 13-17)

    COPYRIGHT(2017) Kirkus Reviews, ALL RIGHTS RESERVED.

  • Booklist

    February 15, 2017
    Grades 9-12 Arnold's latest reveals how capricious first loveand our trust in itcan be. Nina, 16, is trying to make sense of the obsession she feels for her first boyfriend. I know it isn't okay to care this much about a boy. I know it's not feminist, or whatever, to make all my decisions based on what Seth would think, she chastises herself. Besides, she has grown up being told by her mother that all love has limits; it can't just surge forth unbridled. Then, just as Nina and Seth's relationship turns more intimate, he abandons her without explanation. In Nina's grief, she explores the origins of her longing for love, recalling a trip she took with her mother to Italy to study statues of saints, intertwining the saints' suffering with what she views as her own. Nina's honest musings about her vapid relationship with Seth, as well as the relationship of her fickle parents, demonstrate a keen sense of introspection and self-respect. Smart, true, and devastating, this is brutally, necessarily forthcoming about the crags of teen courtship.(Reprinted with permission of Booklist, copyright 2017, American Library Association.)

  • Carrie Mesrobian

    "Pulling back the curtain on the wizard of social expectations, Arnold (Infandous, 2015, etc.) explores the real, knotted, messy, thriving heartbeat of young womanhood. When Nina Faye's mother tells her that there is no such thing as unconditional love, that even a mother's love for a daughter could end at any time, Nina believes her—after all, she has already seen many conditions of love at play: beauty, money, aloofness, sex. Two years later, the white, now-16-year-old not only confirms that these and more are unspoken stipulations of her relationship with her boyfriend, Seth (also white), but also finds they are part of the very fabric of cisgender girlhood that suddenly threatens to smother her. Nina's embroiling first-person prose alternating with what are revealed to be her own short stories lifts and examines the veils that encapsulate all the 'shoulds' and 'supposed tos' of teenage girlhood to expose bodily function, desire, casual cruelty, sex and masturbation, miscarriage and abortion, and, eventually, self-care. Arnold interweaves myriad landscapes, from the parched affluence of California neighborhoods to the ordered sadness of a high-kill animal shelter where Nina volunteers, from the sculpted terrain of Rome's brutalized virgin martyrs to the imperfect physicality of Nina's own body, into a narrative wholeness that is greater than its parts. Unflinchingly candid, unapologetically girl, and devastatingly vital."—starred, Kirkus Reviews

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