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Tears We Cannot Stop
Cover of Tears We Cannot Stop
Tears We Cannot Stop
A Sermon to White America
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"Elegantly written, Tears We Cannot Stop is powerful in several areas: moving personal recollections; profound cultural analysis; and guidance for moral redemption. A work to relish." –Toni...
"Elegantly written, Tears We Cannot Stop is powerful in several areas: moving personal recollections; profound cultural analysis; and guidance for moral redemption. A work to relish." –Toni...
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  • "Elegantly written, Tears We Cannot Stop is powerful in several areas: moving personal recollections; profound cultural analysis; and guidance for moral redemption. A work to relish." –Toni Morrison

    "Here's a sermon that's as fierce as it is lucid. It shook me up, but in a good way. This is how it works if you're black in America, this is what happens, and this is how it feels. If you're black, you'll feel a spark of recognition in every paragraph. If you're white, Dyson tells you what you need to know—what this white man needed to know, at least. This is a major achievement. I read it and said amen." –Stephen King

    As the country grapples with racist division at a level not seen since the 1960s, one man's voice is heard above the rest. In his New York Times op-ed piece "Death in Black and White," Michael Eric Dyson moved a nation. Isabel Wilkerson called it "an unfiltered Marlboro of black pain" and "crushingly powerful," and Beyonce tweeted about it. Now he continues to speak out in Tears We Cannot Stop—a provocative and deeply personal call for change. Dyson argues that if we are to make real racial progress we must face difficult truths, including being honest about how black grievance has been ignored, dismissed, or discounted. Short, emotional, literary, powerful—this is the book that all Americans who care about the current and long-burning crisis in race relations will want to read.

    This program is read by the author.

Reviews-

  • AudioFile Magazine Michael Eric Dyson's elegant discussion of the role of race and privilege in white culture proves to be simultaneously provocative and sincere. Because he has framed his book as a sermon, audio is a natural medium for the work. But Dyson's delivery wobbles between sounding emotionally connected and apathetic. Given the framework of a sermon, he doesn't always live up to the energy and emphasis that one typically anticipates from a message bound in emotion, inspiration, and gospel. Still, time and again, his ability to draw out the incongruities of contemporary white American culture and its assault on non-white lives, culture, and identities will leave listeners reconsidering their complicity in the challenges currently faced by African-Americans and others. L.E. � AudioFile 2017, Portland, Maine

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    Macmillan Audio
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Tears We Cannot Stop
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A Sermon to White America
Michael Eric Dyson
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