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Come Find Me
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Come Find Me
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From the New York Times bestselling author of All the Missing Girls and The Perfect Stranger comes a captivating thriller about two teens who connect when each discovers a mysterious radio frequency,...
From the New York Times bestselling author of All the Missing Girls and The Perfect Stranger comes a captivating thriller about two teens who connect when each discovers a mysterious radio frequency,...
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  • From the New York Times bestselling author of All the Missing Girls and The Perfect Stranger comes a captivating thriller about two teens who connect when each discovers a mysterious radio frequency, which suggests their family tragedies are mysteriously connected.
    After surviving an infamous family tragedy, sixteen-year-old Kennedy Jones has made it her mission to keep her brother's search through the cosmos alive. But then something disturbs the frequency on his radio telescope—a pattern registering where no signal should transmit.
    In a neighboring county, seventeen-year-old Nolan Chandler is determined to find out what really happened to his brother, who disappeared the day after Nolan had an eerie premonition. There hasn't been a single lead for two years, until Nolan picks up an odd signal—a pattern coming from his brother's bedroom.
    Drawn together by these strange signals—and their family tragedies—Kennedy and Nolan search for the origin of the mysterious frequency. But the more they uncover, the more they believe that everything's connected—even their pasts—as it appears the signal is meant for them alone, sharing a message that only they can understand. Is something coming for them? Or is the frequency warning them about something that's already here?

Excerpts-

  • From the cover They say the universe is constantly heading toward disorder, and I believe it. Walls go up, and walls come down. Buildings crumble, governments fall, civilizations collapse. Stars explode.

    People live.

    People die.

    On and on it goes.

    Everything falls apart.

    Please don't think I'm a pessimist. These are just the facts.

    I am, truth be told, an optimist. Otherwise I would not set my alarm for after midnight, when I'm sure Joe is sleep­ing, and I would not sneak out the side door behind the kitchen, and I would not bike six miles in the dark to the farmland behind my old home to pull the data from my brother's radio telescope.

    But I do.

    I do all of this, every few nights, because I am an optimist.

    I leave my bike at the side of the house, hidden by the wide front porch, the swing creaking in the breeze. There's still a split-­rail fence from when this place had horses, and a faint scent of hay remains—­something I only really noticed once I was gone. There are lights in the distance, to my left, from the neighborhood jutting up against our property. But to my right, it's all darkness—­untouchable forest.

    There's no light on the footpath to the old stable, now makeshift observatory, behind the house, and I don't want to turn on the outside house lights in case someone sees. On the off chance one of the neighbors notices that something's happening at the Jones House—­and calls Joe.

    The night is hot and sticky, and I could really use the air conditioning, a drink of water from the faucet, and the bathroom, in that order. Joe may have cut the TV, the phone, and the Internet, but he can't shut down the electricity yet—­hard to show a house in the middle of Virginia during June without the air on.

    The Realtor must have had the locks changed last week, but she didn't know about Elliot's window around back. He'd reconfigured the mechanism when we first moved in so the window tilted in and out, instead of sliding up and down, and he'd sacrificed the locks for the design. So if I used the deck railing, I could reach up and push at the top, and then the bottom would swing open. He was always tinkering with things, down to the smallest detail. Bedroom windows, before he got to radio telescopes.

    I feel my way through Elliot's room, none of the furniture where I remember it. Someone—­the Realtor, I guess—­thought to turn this room into an office. Really, no amount of staging can change what people already know about this house.

    Our house has a quirky layout: it was probably designed as a sprawling ranch, with three bedrooms and the living areas on the main floor, but there's a newer second-­story loft that must've been added on after the fact, which now holds a storage area and an entertainment room. It's where I used to bring my friends, to hang out. But I haven't touched the second floor since the day I moved.

    Walking from Elliot's room, I wait until I'm out in the hall to turn on the flashlight I've brought, keeping the beam away from the windows.

    The hall and the living room look much the same as when I last lived here, six months ago—­except all the photos of us have been hidden away. There must've been a showing recently, because someone has finally closed the kitchen cabinets. But I smile, picturing a family standing at the edge of the kitchen, seeing all the empty cabinets swung open in an eerie formation, imagining the chill making its way up their backs.

    I don't believe in ghosts. But it helps that other people do.

    This time, I decide to mess with everything on...

About the Author-

  • Megan Miranda is the acclaimed author of The Safest Lies and several other novels for young adults, including Fragments of the Lost and Fracture. She is also the New York Times bestselling author of All the Missing Girls and The Perfect Stranger for adults. She lives in North Carolina with her husband and two children. You can follow Megan on Facebook at AuthorMeganMiranda, or on Instagram and Twitter at @MeganLMiranda.

Reviews-

  • Publisher's Weekly

    November 5, 2018
    Kennedy Jones, 16, and Nolan Chandler, 17, have suffered tragic losses. Two years ago, Nolan’s brother Liam disappeared without a trace from a family picnic at the Freedom Battleground State Park, just after Nolan had a premonition about it. And six months ago, Kennedy’s mother was killed in her home, which abuts the same park. The two cross paths when they independently begin to investigate a strange signal picked up by Kennedy’s brother’s satellite and Nolan’s EMF reader. Finding each other on a SETI message board, the two join forces to find the signal’s provenance, each hoping that it will lead them to answers about their family members. Miranda (Fragments of the Lost) weaves a convincing tale of teens grasping at straws to make sense of personal tragedies. The well-paced mystery unfolds carefully, with Kennedy and Nolan slowly doling out information to readers that leads to the surprising truth. While much of the plot depends on coincidence, robust characters with fully formed backstories keep the story sufficiently grounded, excusing some of the more implausible developments. Ages 14–up. Agent: Sarah Davies, Greenhouse Literary.

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